Alice jumps to the White Rabbit’s call to the stand.
She forgets that she has grown larger and knocks over the jury stand, then scrambles to put every one of the jurors back. Alice claims to understand “nothing whatever” about the tarts, which the King deems “very important.” The King is corrected by the White Rabbit, suggesting that he in reality means “unimportant.” The King agrees, muttering the text that is“important “unimportant” to himself.
The King interjects with Rule 42, which states, “All persons significantly more than a mile high to leave the court.” Everyone turns to Alice, who denies she is a mile high and accuses the King of fabricating the rule. The King replies that Rule 42 is the oldest rule when you look at the book, but Alice retorts that when it is the oldest rule when you look at the book, it should be the initial rule. The King becomes quiet for a moment before calling for a verdict. The White Rabbit interrupts and declares that more evidence must be presented first. A paper is presented by him supposedly written by the Knave, though it is not printed in the Knave’s handwriting. The Knave refutes the charge, explaining that there’s no signature from the document. The King reasons that the Knave will need to have meant mischief because he did not sign the note like an honest man would. The court seems pleased by this reasoning, as well as the Queen concludes that the Knave’s is proved by the paper guilt. Alice demands to see the poem from the paper. The King provides an explanation and calls for a verdict while the poem appears to have no meaning. The Queen demands that the sentence come before the verdict. Alice chaffs as of this proposal and criticizes the Queen, who calls for Alice’s beheading. Alice has grown to her full size and bats away the handmade cards as they fly upon her.
Alice suddenly wakes up and finds herself back on the sister’s lap at the riverbank. She tells her adventures to her sister who bids her go inside for tea. Alice traipses off, while her sister remains by the riverbank daydreaming. She envisions the characters from Alice’s adventures, but understands that when she is opened by her eyes the images will dissipate. She imagines that Alice will one grow older but retain her childlike spirit and recount her adventures to other children day.
The chapter title “Alice’s Evidence” refers both into the evidence that Alice gives throughout the trial, as well as the evidence that she discovers that Wonderland is a dream that she can control by getting out of bed. Alice realizes through the trial so it all “doesn’t matter a bit” what the jury records or perhaps the jury is upside down or right side up. None associated with details or orientations in Wonderland have any bearing on a coherent or outcome that is meaningful. Alice’s growth during the trial mirrors her growing knowing of the proven fact that Wonderland is an illusion. She starts to grow when the Mad Hatter bites into his teacup, and she reaches height that is full the heated exchange because of the Queen when she points out that her antagonists are “nothing but a pack of cards!” Alice exposes Wonderland as an illusion and her growth to full size comes with her realization that she’s got a measure of control of the illusion. Once she realizes that Wonderland is a dream, she wakes up and shatters the illusion.
Alice fully grasps the nature that is nonsensical of as soon as the King interprets the Knave’s poem. Alice disputes the King’s tries to attach meaning to your nonsense words of the poem. Her criticisms are ironic, since throughout her travels she has continually attempted to sound right for the situations that are various stories she’s got encountered. Alice finally understands the essay writer futility of trying to help make meaning out of her adventures of Wonderland since every right section of it is completely incomprehensible. This message is meant not only for Alice but for the readers of Alice’s Adventures in Wonderland as well. In the same way the court complies with the King’s harebrained readings for the poem, Carroll sends a note to people who would make an effort to assign meanings that are specific the events. Alice’s Adventures in Wonderland actively resists definitive interpretation, which makes up the diversity for the criticism written about the novella.
The scene that is final Alice’s sister establishes narrative symmetry and changes the tone of Alice’s journey from harrowing quest to childhood fantasy.
The reintroduction associated with calm scene at the riverbank allows the storyline to close as it began, transforming Wonderland into an isolated episode of fancy. Alice’s sister ends the novella by changing the tone of Alice’s story, discounting the nightmarish qualities and favoring a dreamy nostalgia for “the simple and loving heart of her childhood.” The sister’s interpretation reduces Alice’s experience of trauma and trivializes the journey as little more than a “strange tale” that Alice may eventually recount to her own children.